Current ACM Entertainer of the Year, Chris Stapleton is set to release his 5th Studio Album- Higher on November 10th on 2LP/180 Gram Vinyl. This Indie Store Exclusive version will be Opaque BONE Vinyl. The album will include 14 songs including the first single “White Horse”. Chris has won numerous awards including eight Grammy Awards, 10 Academy of Country Music (ACM) Awards including current Entertainer Of The Year, and 14 Country Music Association (CMA) Awards. He was named the ACM's Artist-Songwriter of the Decade. In 2023, Rolling Stone ranked Stapleton at number 170 on its list of the 200 Greatest Singers of All Time. Indie Exclusive Bone 2 LP.

AJR -"The Maybe Man" Republic Records; Mercury Records/Republic; Alternative EXPLICIT

Last November in London, Cat Power took the stage at Royal Albert Hall and delivered a song-for-song recreation of one of the most fabled and transformative live sets of all time. Held at the Manchester Free Trade Hall in May 1966—but long known as the “Royal Albert Hall Concert” due to a mislabeled bootleg—the original performance saw Bob Dylan switching from acoustic to electric midway through the show, drawing ire from an audience of folk purists and forever altering the course of rock-and-roll. In her own rendition of that historic night, the artist otherwise known as Chan Marshall inhabited each song with equal parts conviction and grace and a palpable sense of protectiveness, ultimately transposing the anarchic tension of Dylan’s set with a warm and luminous joy. Now captured on the live album Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert, Marshall’s spellbinding performance both lovingly honors her hero’s imprint on history and brings a stunning new vitality to many of his most revered songs.

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 12 additional tracks, including for the first time some of George Harrison’s earliest songs and some classic Beatles versions of R&B and rock ‘n’ roll hits that were so influential on the band. The 3LP collection now contains 38 tracks, 30 of which have new mixes for 2023. The set’s 12 newly added tracks are collected on its 3rd LP. An insert contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1962 – 1966 collection is a joyous celebration of The Beatles’ timeless musical legacy.

Also Available:
1962-1966 (The Red Album): Expanded [2CD]
1962-1966 (The Red Album): Expanded [3LP]
1967-1970 (The Blue Album): Expanded [2CD]
1967-1970 (The Blue Album): Expanded [3LP]
1962-1970 (The Red and Blue Albums): Expanded [6LP Box Set]
Now and Then [Vinyl Single]

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks added chronologically, including “Blackbird”, “Glass Onion” and the new song, “Now And Then”. The last Beatles song, “Now And Then” completes John Lennon’s 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. The 3LP collection now features 37 tracks, 6 of which have new mixes for 2023. The set’s 9 newly added tracks are collected on its 3rd LP. An insert contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.

Also Available:
1962-1966 (The Red Album): Expanded [2CD]
1962-1966 (The Red Album): Expanded [3LP]
1967-1970 (The Blue Album): Expanded [2CD]
1967-1970 (The Blue Album): Expanded [3LP]
1962-1970 (The Red and Blue Albums): Expanded [6LP Box Set]
Now and Then [Vinyl Single]

Celebrating the 25th anniversary of R.E.M.’s eleventh studio album, Up. This special pressing – replicating the original package – offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl. The album features the singles "Daysleeper,” “Lotus,” “Suspicion” and “At My Most Beautiful.”

RUSH! (ARE U COMING) is the expanded edition of the album, RUSH!, by Mĺneskin that was originally released in January of 2023. This vinyl edition contains 7 additional songs not included on the 1-LP including “Supermodel,” “Mammamia” along with 5 brand new tracks never before released that make up the entire first side of the double LP.     

Pierce The Veil US Billboard 200 Top 20 album Collide With The Sky will be pressed on three brand new vinyl colors. The album is RIAA certified Gold and features the singles “King For A Day,” “Bulls In The Bronx” and “Hell Above”.

New Order are delighted to announce a remastered set of formats of Substance 1987, released via Warner on November 10th.

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter.

A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture-and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with."

Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "Solutionism"'s careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability-and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonome­try," that "white dove is a pigeon-you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

Mick Jenkins releases new single "Smoke Break-Dance" featuring JID, which arrives today alongside an Andre Muir-directed music video. Produced by Stoic, the song is the first taste of his forthcoming album The Patience that will arrive on November 10th via RBC Records/BMG. The Patience marks Jenkins' first full length release since 2021's Elephant in the Room.

Speaking about the album, Jenkins shares: 

The Patience: As best I can be, I am a person who does everything within his power to change his situation. I think with some level of consistency, that behavior inevitably leads you to a point where you have to wait. A point where the things that now need to happen to move you forward are no longer in your control. I see this as a period of time in one's journey, no matter the length, where the unseen things must take place; The muscles must tear and repair, the understanding of a concept coming to you in a moment completely devoid of artistic intention. It’s through these moments where I’ve found myself being the most frustrated with patience.

And this body of work sounds like that frustration.

The body of work reflects Jenkins' status as a young veteran in his craft. First breaking out with his 2014 mixtape The Water[s], he has established himself as one of the most dexterous contemporary lyricists over the course of 3 full length albums and 4 EPs since that mixtape's release. The Patience is the sound of an artist that is still young and at the full height of their artistic powers, wizened by the years spent grinding to reach this point, but eager to prove their continued vitality. The result is Jenkins' most urgent artistic statement since his breakthrough.

aespa presents their fourth mini-album, featuring the title track `Drama' with its powerful track loop and captivating hook. This album showcases aespa's vocal growth with a variety of genres including charismatic hip-hop, lovely bright dance music, and sweet acoustic pop. With this album, aespa brings a new chapter to their SMCU lore by writing stories on their own way through unique music and visuals - now breaking out from the trauma caused by a series of events with Season 1's `SYNK OUT' and `Hallucination Quest', and also the unknown anomalies in Season 2

Ice Breaker (Color Vinyl). Hadsel is the first new full-length record since Beirut's 2019 release, "Gallipoli," and the first on Zach Condon's own label, Pompeii Records. Recorded in the Norwegian island of Hadsel shortly after a physical and mental break forced Condon to cancel is 2019 tour, Condon was looking for a place to recover after being left in a state of shock and self-doubt. Working in isolation, Condon explains, "I was lost in a trance, stumbling blindly through my own mental collapse that I had been pushing aside since I was a teenager. It came and rang me like a bell. I was left agonising many things past and present while the beauty of the nature, the northern lights and fearsome storms played an awesome show around me. The few hours of light would expose the unfathomable beauty of the mountains and the fjords, and the hours-long twilights would fill me with subdued excitement. I'd like to believe that scenery is somehow present in the music. The resulting is collection of songs beautifuly reflect that vulnerability, sense of self-determination and belief that after collapse, one can learn to manage on their own again.

Vinyl LP pressing. 2023 debut album by English musician Pinkpantheress. Heaven Knows is the follow-up to her 2021 mixtape To Hell with It and includes the singles "Boy's a Liar Pt. 2" (with Ice Spice), "Mosquito", and "Capable of Love".

Crowned as the winners of the 2023 MTV VMAs Best K-Pop, Stray Kids are back with a brand-new album titled ROCK-STAR, now available in a LIMITED STAR VER. Contents of the album include: CD, Photo Book, Photo Card (random 1 of 16), Unit Photo Card (random 1 of 4), Panorama Mini Poster (random 1 of 3), Sticker, Folded Poster, Film Photo Cards Set (random 1 of 2), Special Mini Poster (random 1 of 8) & 4-Cut Photo. US/EU Retail Exclusive: Postcard. Dimensions: 164 x 224 x 5 mm.

Until now, Art Feynman — the eccentric alter ego of accomplished producer Luke Temple — has strictly been a solo act, a way for the artist to explore surprising sonic landscapes without the burdens of identity. Slightly twisted takes on Kosmische musik, worldbeat, and art pop can all be found scattered across the Art Feynman discography, but with his new album Be Good The Crazy Boys, Feynman fully immerses himself into pools of collective madness.

Unlike his first two albums, Crazy Boys was recorded live in the studio with a full band, a first for Feynman, capturing a spirit of restless anxiety that recalls the most frenetic work by Talking Heads, or Oingo Boingo at their darkest. Despite these callbacks, the collection remains firmly rooted in modern concerns, with songs about fearing the end of the world and struggling with FOMO — narratives that would be relatable if they didn’t sound so completely unhinged.

Recorded at Oberlin College, Ohio in 1953, the Dave Brubeck Quartet’s “Jazz at Oberlin” album is one of the earliest works in the cool jazz genre. As well as Dave Brubeck (piano) the album also features Paul Desmond (alto sax), Lloyd Davis (drums) and Ron Cotty (bass). This new edition of the album is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket.

Vinyl reissue of two of Isis' early EPs, packaged togeher in a 2LP set with new artwork

F8 (pronounced fate) is the eighth studio album by American heavy metal band Five Finger Death Punch, released on February 28, 2020, by Better Noise Music. It is the first Five Finger Death Punch album to feature drummer Charlie Engen, who joined the band following the departure of founding drummer Jeremy Spencer. F8 is also the band's first album to be released through Better Noise Music. Written and recorded from May to October 2019, F8 is considered a rebirth of the band, according to guitarist Zoltan Bathory. This reissue with alternate artwork was pressed on gold nugget vinyl and is packaged in a gold foil gatefold jacket.

Double vinyl LP pressing. 35th anniversary edition. It Takes a Nation of Millions to Hold Us Back is the second studio album by Public Enemy, originally released in 1988.

"LEFT" sees Helmet – comprising frontman Page Hamilton, drummer Kyle Stevenson, guitarist Dan Beeman, and bassist Dave Case – carve out a musical landscape that is taut, muscular, and direct. Hamilton’s lead guitar lines feel like everything from downed power lines arcing to exploding resistors in shortwave radios. On "LEFT" every snare crack hits like gunfire, every solo seemingly a manifestation of rabies-induced psychosis.

Guided by Hamilton alongside co-producers Jim Kaufman and Mark Renk, and mastered by Howie Weinberg, the 11 songs on the new album are leaner and meaner in their execution than previous aural throwdowns. "LEFT" is powered by unbridled determination, a renewed sense of purpose and a desire to create more new dialects within the musical language Hamilton invented via his use of drop-D tuning.

Echoes, Spaces, Lines collects Trans-Millenia Consort, Plot Zero, and Spectre, the first three albums by the late West Coast composer, healer, and medium Pauline Anna Strom. Exploring all corners of the multiverse through transpersonal form and freedom, Strom’s first three albums share a singular sensibility, different streams flowing from the same oracular font. Echoes, Spaces, Lines establishes Strom’s rightful place in the canon of great synthesists. Restored and mixed from the original reels by Marta Salogni, newly remastered, and adding Oceans of Tears, a fully realized but previously unreleased album exclusive to this box set, these are the first official reissues and the definitive encapsulation of Pauline Anna Strom’s prolific and visionary early work. These four-disc LP and CD box sets include 12 and 16 page booklet containing liner notes, an unearthed interview with Strom, and unseen ephemera.

Having produced albums that have sold over half a billion records globally, David Foster is one of the most successful commercial producers & composers of popular music. Having previously worked with artists like Michael Bublé, Josh Groban, & Amy Grant on their own Christmas albums, David is partnering up with his wife, singer-songwriter Katharine McPhee, to release their own rendition of their all-time favorite Christmas tunes. A passion project, bringing joy & music to all these holidays.

Daneshevskaya (Dawn-eh-shev-sky-uh), the project of New York’s Anna Beckerman, writes songs steeped in the folklore of her own personal history. Her artist (and real middle) name comes from her Russian-Jewish great-grandmother, a person whose presence she has always felt although their paths never crossed in real life. Beckerman grew up in a musical family; her father is a music professor, her mother studied opera and her own songs often feel spiritual, less so by any religious connotation and more as a hymn-like, archival record of Beckerman’s own past, present and future.