Indie Exclusive Releases
Vinyl: $35.98 PREORDER
On Last Man Dancing, Jake Shears turns his lifelong love affair with club culture into his most ambitious pop music to date. The album was brought to vivid life by Jake Shears and a close crew of collaborators, including head-turning features from Kylie Minogue, Jane Fonda, Iggy Pop, Amber Martin, and a pre-Renaissance turn from the iconic Big Freedia.
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Recorded at Ardent Studios and released in 1972, the album has gone on to become one of the most influential and iconic debut albums of all time. This 50th-anniversary edition is pressed on 180-gram metallic gold with purple smoke vinyl and features all-analog mastering by Jeff Powell at Take Out Vinyl. The album has been included in Rolling Stone’s 500 Greatest Albums of All Time, with the song “Thirteen” featured in its 500 Greatest Songs of All Time.
Vinyl: $79.98 PREORDER
The indie variant includes three exclusive screen-printed inserts, each inspired by the three acts of ATUM.
A heady cocktail of dub rhythms, island vibes and his own sweetly melodic topline, The irony is that Letts hadn’t really intended to make music of his own. Conceived during Covid down time and produced by Gaudi with a bunch of bass lines provided by Youth (The Orb/Killing Joke) that kick-started the whole thing.
The album is chockfull of guest vocalists including Terry Hall, Flaming Lips’ Wayne Coyne, The Slits' Hollie Cook, Zoe Devlin Love and Honor Letts, aka Letts’ second youngest daughter.
Vinyl: $21.98 PREORDER
“PERMANENT.RADIANT is the newest EP from the darkly cinematic duo ††† (Crosses) featuring Chino Moreno of Deftones on vocals and Shaun Lopez on production and instrumentation. This project features the previously released singles “Vivien” and “Sensation,” along with the once exclusive vinyl track “Day One.” Eerie synth arrangements and pulsating percussion culminate in a lush, sprawling soundscape captured throughout this collection of songs. Chino Moreno's lyrics and vocal textures combined with Shaun Lopez's immersive production and sound design create a world that will likely transport anyone who listens to places both familiar and new.
Produced by Sean Ono Lennon and mixed by Dave Fridmann (Beach House, Spoon, The Flaming Lips) , Temples fourth full-length album takes place in an impossibly utopic island dreamed up by the four band members. With its resplendent collage of psychedelia, krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind.
72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”
Vinyl: $23.98 PREORDER
The Wood Brothers have learned to trust their hearts. For the better part of two decades, they've cemented their reputation as freethinking songwriters, road warriors, and community builders, creating a catalog of diverse music and a loyal audience who’ve grown alongside them through the years. That evolution continues with Heart is the Hero, the band's eighth studio album. Recorded analog to 16-track tape, this latest effort finds its three creators embracing the chemistry of their acclaimed live shows by capturing their performances in real-time direct from the studio floor with nary a computer in sight. An acoustic-driven album that electrifies, Heart is the Hero is stocked with songs that target not only the heart, but the head and hips, too.
"We love records that come from the era of less tracks and more care," explains co-founder Oliver Wood. "When you use a computer during the tracking process, you have an infinite number of tracks at your disposal, which implies that nothing is permanent, and everything can be fixed. Tape gives you limitations that force you to be creative and intentional. You don't look at the music on a screen; you listen to it, and you learn to focus on the feeling of the performance.”
Throughout Heart is the Hero, those performances are matched by the visceral storytelling and songwriting chops that have turned The Wood Brothers into Grammy-nominated leaders of American roots music, even as their music reaches far beyond the genre's borders. The stripped-down swagger of "Pilgrim'' underscores Oliver's reminder to slow down and experience each moment as an interactive observer, rather than a passive tourist. A similar theme anchors “Between the Beats," where Oliver draws upon a meditation technique — maintaining one's focus on the space between heartbeats — to reach a new level of presence. The gentle sway of country soul gem “Rollin’ On,” featuring horns by Matt Glassmeyer and Roy Agee, expounds on the time-honored tradition of love as the guiding light through darkness, while ”Mean Man World" finds Chris Wood singing about his responsibilities as a father whose young daughter is poised to inherit an uncertain future. "Line Those Pockets'' is a universal call for mercy and understanding over materialism. "Everybody's just trying to be happy, so put your money away; line those pockets with grace," the band sings in three-part harmony during the song's chorus, which emphasizes compassion over cash as the world's true currency. Together, these songs offer a snapshot of a spirited, independent-minded group at the peak of its powers, always pushing forward and seeking to evolve beyond what’s come before.
"There's still acoustic guitar, upright bass, and percussion on this album — things people use all the time — but we're always thinking, 'How can we make this sound like us, but not like something we've already done?'" Oliver says. "Sometimes, the only way to do that is to get weird.”
That sense of exploration pumps its way through Heart is the Hero like lifeblood. Arriving on the heels of 2019's Live at The Fillmore, 2020's Kingdom In My Mind, and Oliver Wood's solo album Always Smilin' — all of which were released on Honey Jar Records, the band's independent label— Heart is the Hero is bold, bright, and singularly creative, a fully realized collective effort ultimately greater than the sum of its parts. Perhaps that's to be expected from a group whose willingness to experiment has earned acclaim from Rolling Stone and NPR, as well as an annual touring schedule of sold-out music halls and theaters on both sides of the Atlantic. Ask The Wood Brothers, though, and they'll tell you to expect the unexpected.
"We are never satisfied if we are not searching for new musical recipes," says Jano Rix, nodding to the uncharted territory that Heart is the Hero covers. Chris Wood agrees, adding, "We are one of those bands that isn't easily categorized. We know what our strengths are, but we can’t help but push the envelope, as well. It’s too much fun."
After seven years, Daughter are back – a generational band with well over 1 billion streams across three records. Since their debut in 2013, Elena Tonra’s intimate, crushingly honest lyrics have been a lifeline for the band’s fans, whilst also finding a gateway to the likes of alternative giants Phoebe Bridgers and Bon Iver. ‘Be On Your Way’ is warmly optimistic in tone, finding a lightness in Tonra’s poetry, whilst still desperately evoking an emotional resonance unmatched in the alternative space.
Vinyl: $28.98 PREORDER
Ever since their emergence in early 2016 HMLTD, avid advocates of the Gesamtkunstwerk, have always striven to give audiences more. On their wildly ambitious second album, they are realising these aims on a truly epic scale.Created over the course of two years with a cast of 47 musicians – including a gospel choir and a 16-piece string orchestra – The Worm is less a concept album than a fully-fledged musical universe, transcending genre and medium. Set in a disorienting anachronistic version of Medieval England – as steeped in dystopian sci-fi fantasy as it is folklore and Old English mythology – it’s part political polemic, part deeply moving psychological journey.Though always admired for their defiantly genre-agnostic approach, The Worm sees HMLTD pushing sonic experimentation to a whole new level, from dissonant free jazz riffing to vintage soul and English folk fusions to rock opera. Major musical touchpoints included Stravinsky’s ‘Rite Of Spring’, Pink Floyd and Nina Simone’s rendition of ‘Sinnerman’ and references for the world of The Worm included 14th century texts The Canterbury Tales and The Decameron, Aleksey German’s 2013 sci-fi film Hard To Be A God, Bergman’s The Seventh Seal, Tarkovsky’s Andrei Rublev and the hopeful narrative arc of 90s mecha anime series ‘Neon Genesis Evangelion’.
The Brooklyn-based band has performed in all 50 states in the USA and throughout Canada, Europe and Australia. The Hold Steady music has appeared across movies, advertising and TV, including on Game Of Thrones and Billions, in addition to writing original material for Seth Meyers cartoon The Awesomes and Meyers’ 2019 stand-up comedy special Lobby Baby.
Released in early 2021, The Hold Steady’s most recent record Open Door Policy, achieved the band’s highest chart position of any album, debuting #6 on the Billboard Current Album Chart. Vulture gushed the record “expands their horizons,” and “gives the Hold Steady new heft and variety without undercutting the sharpness of the hooks or singer-guitarist Craig Finn’s heart-wrenching novelistic lyricism.”
The 20th Anniversary of The Hold Steady will see an expanded collection of activities and music release to celebrate the milestone with fans. Year five of The Weekender, The Hold Steady’s annual visit to the UK with a 3-night stop in London, occurs March 10-12, 2023.
The Hold Steady is: Bobby Drake (drums), Craig Finn (vocals), Tad Kubler (guitar, vocals), Franz Nicolay (keyboards, vocals), Galen Polivka (bass), and Steve Selvidge (guitar, vocals).
Vinyl: $9.98 PREORDER
“I felt a Funeral, in my Brain” is a rare duet in Andrew Bird’s deep discography. He and Phoebe Bridgers join forces to share a haunting reimagination of the Emily Dickinson poem, “I felt a Funeral, in my Brain.” Sparse and spectral, the arrangement pairs chilling, swelling shrieks of strings with the slight strum of guitar, as Bird and Bridgers trade verses and soar in harmony over Dickinson’s words. And paired with a B-Side rarity, "The Twistable, Turnable Man Returns", Andrew's tribute to the Shel Silverstein poem.
Remastered vinyl reissue of the rock supergroup’s debut album from 2001 featuring Mike Patton (Faith No More, Mr. Bungle), Duane Denison (Jesus Lizard), John Stanier (Battles, Helmet) and Kevin Rutmanis (Melvins). This is the first time the out-of-print vinyl has ever been available individually.
Vinyl reissue of the rock supergroup’s fourth album from 2013 featuring Mike Patton (Faith No More, Mr. Bungle), Duane Denison (Jesus Lizard), John Stanier (Battles, Helmet) and Trevor Dunn (Mr. Bungle). The album has been out of print for almost ten years and is now back in limited variants.
Vinyl: $32.98 PREORDER
Formed in 1987 in Umeĺ, Sweden, Meshuggah have gone on to be called “one of the ten most important hard and heavy bands” by Rolling Stone and have earned the respect and admiration from fans and musicians alike.
It is impossible to talk about experimental or avantgarde metal without mentioning this truly groundbreaking act: MESHUGGAH mix ultra-complicated rhythmic patterns with massive riffs and aggressive growls, combining Death Metal, Mathcore, Thrash and Progressive Metal to create their unique style.
The year 2023 now marks the 15th anniversary of the band’s milestone: "ObZen".
Yet another masterpiece of diversity and surprises as a whole, the album contains the band’s absolute massive hit, “Bleed” – the song that tore through the industry like a shockwave and had fans and musician peers alike completely speechless. You could say that "ObZen" is some sort of a best of album of the band’s early works combined with fresh, new songs at that moment in time – but that´s only half the truth. Compared to some of the gloomy lava realm of subconcious terror of previous releases, "ObZen" is a big butt kick. Some parts are still slo-mo groove infernos, but others, like the opener "Combustion", are high speed-massacres like the band never did before. Pure technical ass-kicking mayhem!
The re-release of this masterpiece comes in a beautifully enhanced digipak and stunning new vinyl colors, to complete every collector’s dream.
Vinyl: $29.99 PREORDER
Named after the residential studios outside Paris where the album was recorded, Honky Château bought a new level of simplicity and directness to Elton’s music that had previously only been seen in glimpses. Shorn of the complexities and ornate orchestrations of his recent work, Honky Chateau seemed freewheeling and intimate. It was helped by Rocket Man, the record which became another of Elton’s signature songs.
These special editions contain the original album, and on both vinyl and CD editions a newly created selection of outtakes from the sessions, produced from the original tapes by Matt Still, which highlight the warmth and humor of the sessions.
On CD only there are eight tracks from the album that were recorded at the Royal Festival Hall in 1972, all receiving their live debut, just a few days back in the UK after recording. Assembled with the customary care by Elton’s catalog team, the album comes as a gatefold with an eight-page booklet with rare photos, memorabilia and an essay by co-curator and music writer Daryl Easlea, featuring interviews from those who were there.
Honky Château has been mastered at Lurssen in California, and the vinyl cut at Abbey Road.
Their fifth studio album, Celebrants marks a highly anticipated return for the beloved trio and explores the inherent dynamics of human connection. Across the 18 tracks, the trio addresses love, friendship and time with lyrics both poetic and plain-spoken, as they see bridges built, crossed, burned and rebuilt. Recorded at Nashville’s RCA Studio A, the album was produced by longtime collaborator Eric Valentine (Queens of the Stone Age, Grace Potter, Weezer) and features Mike Elizondo on bass.
In celebration of the release, the band will perform three very special sold-out shows at Nashville’s historic Ryman Auditorium this spring on April 27, 28 and 29.
Together a sum of more than their staggering parts, Nickel Creek revolutionized bluegrass and folk in the early 2000s and ushered in a new era of what we now recognize as Americana music. In a 2020 retrospective entitled, “The Year Folk Broke: How Nickel Creek Made Americana The New Indie Rock,” NPR Music praised, “20 years ago this month, an album arrived that seemed to speak all these languages at once: unafraid to push the boundaries of its primary genre, and packing the musical chops to bring such an eclectic vision to life. Behind it were three musicians just barely old enough to vote” and continued, “That makes Nickel Creek and its unofficial debut a critical point along a storied timeline, one whose innovations offer countless connections between the genre’s origins and its future. Once dubbed ‘progressive newgrassers,’ the three musicians now fit firmly within the ranks of Americana music—however nebulous, layered and diverse that realm may be. They have only themselves to thank.”
After meeting as young children and subsequently earning the respect of the bluegrass circuit for a decade, the trio signed with venerable label, Sugar Hill Records, in 2000 and quickly broke through with their Grammy-nominated, Alison Krauss-produced self-titled LP. Since that effort, the trio has released three more studio albums to date: 2002’s This Side, which won Best Contemporary Folk Album at the 45th Grammy Awards, 2005’s Why Should the Fire Die? and 2014’s A Dotted Line.
Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters. Limited Edition Indie Exclusive Light Green 180-gram 2 LP with alternate cover art.
Vinyl: $27.98 PREORDER
"During the pandemic, we started a Patreon page. Through the Patreon page, ten people purchased a song we would write for them after having a zoom chat with the band. The stories we heard in those conversations created foundations for the lyrics that evolved into ten different songs. A year or so later we decided to take them into the studio to create a new album. During the studio sessions, we realized we wanted a song to summarize the process and tell the story of the project. One afternoon during the session we came up with the title “10 Stories High” and matched it up with a melody that Pete and Bryan had recorded earlier on their phones. We really liked how the title added imagery of ten people in a ten-story building living out their own external and internal experiences. It was a perfect summary to the project. After a few hours of tinkering with the music and words we had our title track for the record."
Songs of Surrender features 16 new acoustic and reimagined recordings from the U2 catalog, produced and compiled by The Edge, including “One,” “I Still Haven’t Found What I’m Looking For,” and “Pride (In The Name Of Love).” U2 have sold over 175 million albums, won 22 Grammy awards, and released 14 studio albums. Limited Edition Indie Exclusive Opaque White 2 LP. Pressed on 180-gram vinyl with 4-page insert featuring liner notes from The Edge.
“Remember… You Must Die” is the sound of extreme metal stalwarts SUICIDE SILENCE channeling the spirit of their classic albums like “The Cleansing” or “No Time to Bleed” and delivering a modern deathcore masterpiece. Produced by Taylor Young (Xibalba, Vitriol, Drain), “Remember… You Must Die” taps into the rawness and energy in SUICIDE SILENCE’s DNA to thunderous result. Tracks like the album’s first single, “You Must Die” and its follow-up “Capable of Violence (N.F.W.)” are proof positive that SUICIDE SILENCE are far from mellowing with time. With this record, they’re going deeper and darker, the songs often lyrically being a meditation on death and finality. Says the band: “Every second the clock ticks we grow closer to death and what happens after our short bout with time is a total mystery. ‘Remember… You Must Die’ was written as a reminder to remember death and to not let time be our master.” With artwork by acclaimed Necrosurrealist artist David Van Gough, SUICIDE SILENCE isn’t merely looking back in anger. They’re starring forward and setting the standard for metallic extremity in the process.
For The Nude Party, nearly a decade has flown by in the blink of an eye. In that time, the New York-based band has released a pair of well-received albums, an EP and played numerous shows. The band has historically worked with a producer to help them create a distinct sound in their records but with their latest effort, Rides On, the band decided to handle production duties by themselves. The hands-on approach allowed the band to have as much fun creating as they ever had at any other point in their career. They recorded over 20 songs, including some that dabbled in electro-pop and stripped-down country before settling on the final 14 songs containing the best elements of ‘70s-driven blues rock. The relaxed vibe of the session also unleashed a diverse sonic texture compared to their previous releases. Sonically, the album is reminiscent of Sticky Fingers-era Stones, but the lyrics are mini-vignettes that embody the spirit of what The Nude Party are going for — and their growth as a band. Rides On, the band confidently says, is their best record. It’s also the most homegrown and organic record The Nude Party has created to date.