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Formats and Editions
1. Symphony No. 99 In E-Flat Major, Hob.I:99: I. Adagio - Vivace Assai
2. Symphony No. 99 In E-Flat Major, Hob.I:99: II. Adagio
3. Symphony No. 99 In E-Flat Major, Hob.I:99: III. Menuet: Allegretto
4. Symphony No. 99 In E-Flat Major, Hob.I:99: IV. Finale: Vivace
5. Symphony No. 101 In D Major, Hob.I:101, "The Clock"*: I. Adagio - Presto
6. Symphony No. 101 In D Major, Hob.I:101, "The Clock"*: II. Andante
7. Symphony No. 101 In D Major, Hob.I:101, "The Clock"*: III. Menuett: Allegro
8. Symphony No. 101 In D Major, Hob.I:101, "The Clock"*: IV. Finale: Vivace
9. Symphony No. 100 In G Major, Hob.I:100, "Military": I. Adagio - Allegro
10. Symphony No. 100 In G Major, Hob.I:100, "Military": II. Allegretto
11. Symphony No. 100 In G Major, Hob.I:100, "Military": III. Menuet: Moderato
12. Symphony No. 100 In G Major, Hob.I:100, "Military": IV. Finale: Presto
1. Erlauterungen: … Zur Symphonie Nr. 99 Es-Dur
2. Erlauterungen: Schwierige Zeiten In London
3. Erlauterungen: Menuetto, Entspannte Gelassenheit
4. Erlauterungen: Kompendien Des Musikalischen Humors
5. Erlauterungen: … Zur Symphonie Nr. 101 D-Dur
6. Erlauterungen: Ernst, Geheimnisvoll Und Unerwartet
7. Erlauterungen: Frohlich Tickende Uhr
8. Erlauterungen: … Zur Symphonie Nr. 100 G-Dur
9. Erlauterungen: Metamorphose In Der Musik
10. Erlauterungen: Behaglich Mit Derben Uberraschungen
More Info:
Following the triumphant reception of the six ground-breaking London Symphonies No. 93-98 during his first visit to England, Joseph Haydn was at the height of his fame when he embarked on his trip back to Vienna in July 1792. Although he had planned to return to the city on the River Thames within six months, Haydn's second visit to England was delayed for an entire year for unknown reasons. In the meantime, he continued to compose and finished his Symphony No. 99 in Vienna in 1793, although the work did not receive it's premiere there. Unlike London or Paris, Vienna did not have an active concert life outside of the world of court music at the time. London's large and capable orchestras did not have their equal in Vienna, and neither did London's music press, which enticed the public with timely announcements and reviews. Bruno Weil and the Cappella Coloniensis inspire with an enthralling and intelligent play in this third volume.
